Edited into a 45-minute film intended for an exhibition in 1981
For the "Growing" aspect specifically, Rivers was obsessed with the passage of time. He famously filmed his two adolescent daughters (with their consent, though controversial by today's standards) for his art piece Growing , focusing on their physical development. When documentary crews revisited this, it created a jarring, fascinating tension between 1970s artistic freedom and modern sensibilities. This tension is exactly what drives the current engagement metrics.
By 1981, Rivers was an established figure, yet he continued to experiment with new styles, techniques, and subjects. The documentary captures him during this mature, yet still evolving phase.
If you’d like, I can help locate a library that holds a copy or provide a detailed synopsis and critical analysis of the film instead. --- Documentary Growing 1981 Larry Rivers LINK Download
Both daughters have spent years in therapy and have suffered from eating disorders. Gwynne, while less confrontational than Emma, acknowledged that did "real damage" and that she has been involved with a women's therapy group that deals with sexual-abuse issues. Emma's anorexia began at 16; Gwynne struggled with bulimia and alcoholism.
Larry Rivers (1923–2002) was a pivotal figure in the transition from Abstract Expressionism to Pop Art. Often dubbed the "godfather of Pop Art," Rivers was a true Renaissance man of the New York school—working as a painter, sculptor, jazz saxophonist, and filmmaker.
there are no legitimate public download links or streaming platforms for this film What is the documentary "Growing"? Edited into a 45-minute film intended for an
Rivers himself, in an essay on for a 1985 book called Scopophilia: The Love of Looking , wrote: "I never really got what I wanted for this tape, which is the meaning of breasts in a girl's life. Maybe they just couldn't verbalize what they felt, or maybe they didn't even realize what I was attempting to accomplish. They were innocent. I couldn't pierce that".
Rivers' wife Clarice intervened before the film could be publicly exhibited, stopping its planned showing. Rivers put the footage away, and for years, remained largely forgotten—except by Emma and Gwynne, for whom the memories of those filming sessions never faded.
The subtitle is crucial. This isn't just about Rivers' life story; it is about what an artist does in American society. Watch for how Rivers navigates: This tension is exactly what drives the current
Check WorldCat to see if a university or museum library near you holds a physical copy (VHS/DVD).
By 1981, Rivers had spent over a decade exploring sculpture—specifically large, polychromed bronze figures that fused classical poses with modern, sometimes erotic, irreverence. Growing was commissioned in part by a small public television station in New York (WNET’s “Laboratory” series), though archival records are spotty.
The search keyword combination represents a common internet search pattern used by individuals looking to find, stream, or download a highly controversial piece of 20th-century avant-garde film history.
©2005 - 2022 ChemBuddy