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Read guide →Not all audio is created equal, and a preset designed for a high-energy pop station will ruin a jazz broadcast or a spoken-word podcast. Stereo Tool presets generally fall into four distinct categories: 1. FM Broadcast Presets
If a preset sounds perfect but lacks a bit of warmth, go to the Multiband Compressor section and slightly raise the gain on the lower frequency bands (Band 1 and 2) rather than changing the compressor settings themselves.
Look for presets labeled CHR (Contemporary Hit Radio) . These offer high energy, deep bass pumping, and crisp highs.
Analyze how a specific preset handles audio to learn how different modules inside Stereo Tool interact. Types of Stereo Tool Presets
Using Stereo Tool presets can save you a tremendous amount of time and effort in your audio production workflow. Here are just a few benefits of incorporating presets into your workflow:
Stereo Tool includes built-in factory presets tailored to specific musical genres:
Where will the ? (e.g., FM transmitter, YouTube/Twitch stream, home stereo system)
Stereo Tool has an incredibly powerful bass management system. If a preset sounds too muddy in your headphones, navigate to the or Bass Zoom settings and back off the drive slightly rather than changing the entire preset. Match Your Output Target
These are included with the software installation and serve as the perfect starting point. They are categorized by their intended behavior:
These presets are specifically engineered to comply with strict FM broadcasting regulations while maximizing loudness on the dial. They utilize heavy pre-emphasis filtering, strict peak limiting, and composite clipping to ensure the station sounds loud and wide without overmodulating or bleeding into neighboring frequencies. 2. Streaming and Webcast Presets
Purpose: Keep vocals solid in center while adding airy stereo presence.
Ensure your final limiter settings match your destination. For FM, enable the pre-emphasis filter. For streaming, disable pre-emphasis and set your true peak limiter to -1.0 dBTP. Where to Find Custom Presets
Looking for something specific? Search all guides below.
Not all audio is created equal, and a preset designed for a high-energy pop station will ruin a jazz broadcast or a spoken-word podcast. Stereo Tool presets generally fall into four distinct categories: 1. FM Broadcast Presets
If a preset sounds perfect but lacks a bit of warmth, go to the Multiband Compressor section and slightly raise the gain on the lower frequency bands (Band 1 and 2) rather than changing the compressor settings themselves.
Look for presets labeled CHR (Contemporary Hit Radio) . These offer high energy, deep bass pumping, and crisp highs.
Analyze how a specific preset handles audio to learn how different modules inside Stereo Tool interact. Types of Stereo Tool Presets stereo tool preset
Using Stereo Tool presets can save you a tremendous amount of time and effort in your audio production workflow. Here are just a few benefits of incorporating presets into your workflow:
Stereo Tool includes built-in factory presets tailored to specific musical genres:
Where will the ? (e.g., FM transmitter, YouTube/Twitch stream, home stereo system) Not all audio is created equal, and a
Stereo Tool has an incredibly powerful bass management system. If a preset sounds too muddy in your headphones, navigate to the or Bass Zoom settings and back off the drive slightly rather than changing the entire preset. Match Your Output Target
These are included with the software installation and serve as the perfect starting point. They are categorized by their intended behavior:
These presets are specifically engineered to comply with strict FM broadcasting regulations while maximizing loudness on the dial. They utilize heavy pre-emphasis filtering, strict peak limiting, and composite clipping to ensure the station sounds loud and wide without overmodulating or bleeding into neighboring frequencies. 2. Streaming and Webcast Presets Look for presets labeled CHR (Contemporary Hit Radio)
Purpose: Keep vocals solid in center while adding airy stereo presence.
Ensure your final limiter settings match your destination. For FM, enable the pre-emphasis filter. For streaming, disable pre-emphasis and set your true peak limiter to -1.0 dBTP. Where to Find Custom Presets
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