: Miguel's friend, whose apartment serves as the film's primary setting. Though he has only a brief appearance at the beginning and end, his presence as the absent owner of the space adds another layer of voyeuristic tension to the story.
The 6.7 rating tells a story of sharp division. Users often praise the film’s raw, theatrical intensity—two characters, one room, no escape. José Sacristán’s performance as Miguel, a weathered intellectual who wields words like weapons, is frequently cited as masterful. María Valverde’s Ángela, initially vulnerable but gradually defiant, earns equal respect.
The core of the film is the power imbalance between an older man and a young woman. Miguel uses his experience and cynicism to test Angela, while Angela uses her intelligence and youth to challenge Miguel’s entrenched, patriarchal views.
As of April 2026, the film is noted for its daring, claustrophobic atmosphere. On , it is often described by users as: Madrid, 1987 (2011) Madrid 1987 Imdb
The IMDb page for "Madrid 1987" serves as a hub for fans and researchers to access information about the film, including its cast, crew, user reviews, and ratings. It also provides a platform for discussion, where users can share their thoughts on the film's themes, its place in the canon of Spanish cinema, and its relevance to contemporary audiences.
Madrid, 1987 is far from a crowd-pleaser. It's a talky, claustrophobic, and deliberately provocative film that often feels more like a play. Its strength lies in its willingness to be uncomfortable, to trap its audience in a room with two characters who are as naked emotionally as they are physically. The film's deep focus on journalism, generational politics, and desire, framed by a Spanish city on the cusp of change, has earned it a place in the catalog of intellectually-driven, boundary-pushing cinema. Despite the controversy and the critiques of its staginess, Madrid, 1987 remains an arresting and memorable work, primarily for the brave performances of its two leads and the unflinching gaze it turns on the raw, messy dynamics of human connection.
The film is noted for its vulnerability and physical exposure, particularly due to the characters' confinement in a bathroom: : Miguel's friend, whose apartment serves as the
On a hot July day in 1987, a veteran, respected, and feared journalist named Miguel (José Sacristán) meets Angela (María Valverde), a young journalism student, for an interview. Miguel is intent on seducing her, and they eventually find themselves trapped naked in a bathroom at a friend's private residence.
Exploring 'Madrid, 1987': A Deep Dive into David Trueba's Intense Spanish Drama (IMDb Spotlight)
When the friend locks them in and leaves with the keys, the two are stranded. No phones. No food. No escape. The only refuge? A tiny, cold bathroom. The core of the film is the power
Álex de la Iglesia, known for his work on films like "The Crime of Cuenca" and "Perdita Durango," brings his unique vision to "Madrid 1987." De la Iglesia's films often explore themes of existential crises, moral ambiguities, and the human condition, all of which are present in "Madrid 1987." His direction weaves a narrative that is both a poignant character study and a vivid portrayal of Madrid during a transformative period in its history.
The official synopsis is deceptively simple: An aging, cynical journalist (Sacristán) and a young, idealistic student (Valverde) find themselves trapped naked together in a bathroom after a would-be romantic rendezvous goes wrong. What begins as a clandestine affair becomes a claustrophobic, day-long confrontation between Franco-era cynicism and post-transition idealism.